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Lookup NU author(s): Dr María RiveiroORCiD
This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).
© 2021 Universidade Federal do Rio de Janeiro. All rights reserved. This article suggests that one of the recurrent procedures that can be traced throughout César Aira’s oeuvre is the use of adversative constructions, the so-called ‘yes, but no’. These phrases, which are used as sheer opposition and are one of the generating principles of Aira’s works, offer a key insight into the unique position that Aira occupies in the literary world. This atypical position replicates his ambivalence in various dimensions: the figure of the writer, his publishing trajectory, and his peculiar relationship with critical reception. These tensions, which the article explores, are found in a successful career such as Aira’s and, instead of breaking literary boundaries, they reaffirm the belief in the value of literature.
Author(s): Riveiro MB
Publication type: Article
Publication status: Published
Journal: Alea: estudos neolatinos
Year: 2021
Volume: 23
Issue: 3
Pages: 130-147
Online publication date: 10/12/2021
Acceptance date: 15/08/2021
Date deposited: 03/10/2025
ISSN (print): 1517-106X
ISSN (electronic): 1807-0299
Publisher: Universidade Federal do Rio de Janeiro
URL: https://doi.org/10.1590/1517-106X/2021233130147
DOI: 10.1590/1517-106X/2021233130147
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