Browse by author
Lookup NU author(s): Professor Richard Clay
Full text for this publication is not currently held within this repository. Alternative links are provided below where available.
Umberto Giordano’s opera Andrea Chénier opened at La Scala in Milan on 28 March 1896. This essay explores the historical misrepresentations that feature within the opera's libretto and asks whether it is precisely those elision, particularly relating to 'terrorism' that made the opera so resonant for late nineteenth-century Italian audience and for audiences today.
Author(s): Clay R
Publication type: Article
Publication status: Published
Journal: Andrea Chenier: Umberto Giordano
Print publication date: 19/01/2016
Acceptance date: 18/12/2015
Date deposited: 03/05/2016
Publisher: Opera North
Notes: This is not a REF submission, it is a scholarly essay (without footnotes) for an Opera North programme for their recent production of the opera 'Andrea Chenier'. This essay might or might not end up featuring in an impact case study in 2020