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Lookup NU author(s): Dr Jorge Catala-CarrascoORCiD
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND).
In this article, after analyzing the comics industry in Spain in the context of the 2008 crisis, which reveals how small and medium publishers have adapted to new trends in consumption, I focus on the graphic novel Barcelona. Los vagabundos de la chatarra (2015) by Jorge Carrión and Sagar. This comic depicts the underworld of scrap metal collection in Barcelona, where mainly immigrant workers wander the streets, barely eking a living out of the detritus of consumerist society. It is an example of graphic journalism in comics, one of the most interesting developments in the genre in the past few years. It is also a novelty in Spanish comics because certain topics were far from common in the existing repertoire, which had been dominated by adventures, fantasy and science fiction. Drawing on Verónica Gago’s La razón neoliberal (2014) and Saskia Sassen’s Expulsions (2015), I challenge conventional approaches to neoliberalism by focusing on neoliberalism from below, which is seen by Gago to point towards the emergence of a new historical consciousness of living in perpetual crisis.
Author(s): Catala-Carrasco JL
Publication type: Article
Publication status: Published
Journal: Romance Quarterly
Year: 2017
Volume: 64
Issue: 4
Pages: 172-184
Online publication date: 31/08/2017
Acceptance date: 12/01/2017
Date deposited: 13/01/2017
ISSN (print): 0883-1157
ISSN (electronic): 1940-3216
Publisher: Routledge
URL: https://doi.org/10.1080/08831157.2017.1356139
DOI: 10.1080/08831157.2017.1356139
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