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The Newcastle University research output collection, currently available on ePrints, will shortly be moving to a new open repository platform, Figshare. To prepare for the data migration we have paused adding new content to ePrints, and will resume once the new repository is launched. During this time you will continue to have access to ePrints (but no new content will appear). We will share updates here when available.

Pretending to catch a mouse: photographing Paul Robeson, the aesthetics of risk and the modernist game

Lookup NU author(s): Dr Fionnghuala Sweeney

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This is the authors' accepted manuscript of an article that has been published in its final definitive form by Taylor and Francis , 2020.

For re-use rights please refer to the publisher's terms and conditions.

Publication metadata

Author(s): Sweeney F

Publication type: Article

Publication status: Published

Journal: Slavery and Abolition

Year: 2020

Volume: 41

Issue: 1

Pages: 167-185

Online publication date: 06/02/2020

Acceptance date: 20/09/2019

Date deposited: 07/05/2020

ISSN (print): 0144-039X

ISSN (electronic): 1743-9523

Publisher: Taylor and Francis

URL: https://doi.org/10.1080/0144039X.2019.1685253

DOI: 10.1080/0144039X.2019.1685253

Notes: Issue title: Strike for Freedom: Acts & Arts of Liberation in the African Atlantic Imaginary (1818-2018). Guest Editors: Celeste-Marie Bernier and Nicole Willson

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