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Rejecting Intellectual Property: the disappearance or affirmation of the posthuman self through digital and distributed cognitive production

Lookup NU author(s): Professor David RoseORCiD

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This is the authors' accepted manuscript of a book chapter that has been published in its final definitive form by Cambridge Scholars Publishing, 2022.

For re-use rights please refer to the publisher's terms and conditions.


Abstract

It is the activity of artistic production and its relationship to property and distributed cognition that most readily reveal contradictions inherent in posthuman existence. The digitalisation of production processes and the digitisation of products exaggerate inherent contradictions of private property and either offer a possibility for free, artistic activity, or will perpetuate capitalism at the cost of the human as we have come to understand it in modernity


Publication metadata

Author(s): Rose DE

Editor(s): Žarko Paić

Publication type: Book Chapter

Publication status: Published

Book Title: The Technosphere as a New Aesthetic

Year: 2022

Pages: 245

Print publication date: 28/06/2022

Acceptance date: 04/01/2022

Publisher: Cambridge Scholars Publishing

Place Published: Cambridge, UK

URL: https://www.cambridgescholars.com/product/978-1-5275-8506-5

ePrints DOI: 10.57711/5aq6-bc96

Library holdings: Search Newcastle University Library for this item

ISBN: 9781527585065


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