Toggle Main Menu Toggle Search

Open Access padlockePrints

The Newcastle University research output collection, currently available on ePrints, will shortly be moving to a new open repository platform, Figshare. To prepare for the data migration we have paused adding new content to ePrints, and will resume once the new repository is launched. During this time you will continue to have access to ePrints (but no new content will appear). We will share updates here when available.

O brother, let's go down home: loss, nostalgia and the blues

Lookup NU author(s): Professor Richard Middleton

Downloads

Full text for this publication is not currently held within this repository. Alternative links are provided below where available.


Abstract

The blues genre is commonly (and not incorrectly) regarded as a key marker of African-American identity and one with 'deep' (folk, or 'down home') roots. But this status is inadequately understood unless it is placed in a context of inter-racial exchange, in which 'roots' are a product of a complex transaction between 'modernity' and 'tradition'. This territory is explored in terms of a thematics of loss, nostalgia and trauma, evident both in blues content and in the historical structure of revival to which the genre has been continually subject. A useful background is the film 0 Brother, Where Art Thou?, a nostalgic celebration of nostalgia with a blues/bluegrass inter-racial dimension, and a productive theoretical framework is provided by Lacan's approach to fantasy, loss and nostalgia.


Publication metadata

Author(s): Middleton R

Publication type: Article

Publication status: Published

Journal: Popular Music

Year: 2007

Volume: 26

Issue: 1

Pages: 47-64

ISSN (print): 0261-1430

ISSN (electronic): 1474-0095

Publisher: Cambridge University Press

URL: http://dx.doi.org/10.1017/S0261143007001122

DOI: 10.1017/S0261143007001122


Altmetrics

Altmetrics provided by Altmetric


Share