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Lookup NU author(s): Dr Adam Behr
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND).
For the last decade we have been engaged in the study of the history, economics, and sociology of live music in Britain. In this article we will consider the value of “ecology” as an analytic concept (rather than just a buzzword) and compare an ecological account of the setting in which music happens to the use of previous spatial metaphors, from Durkheim’s milieus to Straw’s scenes. To illustrate our argument, we present case studies of three Scottish concerts: one in a small-scale venue (Glasgow’s King Tut’s), one in a mid-size venue (Edinburgh’s Queen’s Hall), and one in a large-scale venue, the 12,000-seater SSE Hydro.
Author(s): Behr A, Brennan M, Cloonan M, Frith S, Webster E
Publication type: Article
Publication status: Published
Journal: Rock Music Studies
Print publication date: 26/01/2016
Online publication date: 26/01/2016
Acceptance date: 04/12/2015
Date deposited: 27/01/2016
ISSN (print): 1940-1159
ISSN (electronic): 1940-1167
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