Dr Adam Behr
| ‘Indie’ Music: Scottish popular music and the constitutional question | 2023 |
|
Dr Adam Behr
| Changing the lyrics to hit songs might be increasingly noticeable – but it’s a longstanding musical practice | 2023 |
|
Dr Matthew Ord
Dr Adam Behr
| Curating the music city: The accommodation sector in Glasgow’s music tourism ecology | 2023 |
|
Dr Adam Behr
| Locating the city limits: Examining overlapping and competing policy concerns in the management and promotion of ‘music cities’ | 2023 |
|
Dr Adam Behr
| Now and Then: enabled by AI – created by profound connections between the four Beatles | 2023 |
|
Dr Adam Behr
| Sinéad O'Connor: a troubled soul with immense talent and unbowed spirit | 2023 |
|
Dr Adam Behr
| Unpacking the controversy behind Roger Waters' latest tour | 2023 |
|
Dr Adam Behr
| What Ed Sheeran’s copyright court case win means for songwriters in future | 2023 |
|
Dr Adam Behr
| ? and The Mysterians, "96 Tears" | 2022 |
|
Dr Adam Behr
| Arts Council cuts: the problems with ‘levelling up’ through culture | 2022 |
|
Dr Adam Behr
Craig Hamilton
| Birmingham and the (International) Business of Live Music in Times of COVID-19 | 2022 |
|
Dr Adam Behr
| Brexit and the UK live music industry | 2022 |
|
Dr Adam Behr
| Christine McVie – the talented anchoring force of the musical giant Fleetwood Mac | 2022 |
|
Dr Adam Behr
| How Terry Hall defined the sound of youth and disillusionment in Margaret Thatcher’s Britain | 2022 |
|
Dr Adam Behr
| Jerry Lee Lewis: fiery performances were inseparable from his reckless behaviour and dark personal life | 2022 |
|
Dr Adam Behr
| Live Music Ecologies in the UK – A local perspective in the context of the pandemic | 2022 |
|
Dr Adam Behr
| Live music infrastructure | 2022 |
|
Dr Adam Behr
| Music, Digitalization, and Democratic Elections: The Changing Soundtrack of Electoral Politics in the UK | 2022 |
|
Dr Adam Behr
| The UK Live Music Industry in a post-2019 era: A Globalised Local Perspective | 2022 |
|
Dr Adam Behr
| 1-2-3-4! Measuring the values of live music: methods, models and motivations | 2021 |
|
Dr Adam Behr
| 40 Years of MTV: the channel that shaped popular culture as we know it | 2021 |
|
Dr Adam Behr
| Arts education is facing massive cuts – yet its value is felt everywhere | 2021 |
|
Dr Adam Behr
| Charlie Watts – how the Rolling Stones drummer helped the band reach for more than just the rock sound | 2021 |
|
Dr Larry Zazzo
Dr Adam Behr
| Classical Singers and COVID-19: A Preliminary Report | 2021 |
|
Dr Adam Behr
| Lockdown delay: how music venues will be impacted by uncertainty over relaxing restrictions | 2021 |
|
Dr Adam Behr
| Prince: Why, five years after his death, the Purple One still reigns | 2021 |
|
Dr Adam Behr
| State of Play: Tensions and Interventions in Live Music Policy | 2021 |
|
Dr Adam Behr
| Stop making census! Some experiential reflections on conducting a live music census | 2021 |
|
Dr Adam Behr
| When Groups Turn Rotten: What happens when bands fall out | 2021 |
|
Dr Adam Behr
| 50 years on, I can’t stop listening to this seminal Miles Davis album | 2020 |
|
Dr Adam Behr
| AC/DC’s Back in Black at 40 – establishing rock bands as brands | 2020 |
|
Dr Adam Behr
| Andrew Weatherall brought record producers out of the back room and lured millions on to the dance floor | 2020 |
|
Dr Adam Behr
| Arts rescue package: don’t forget small venues – they’re where big stars learned their trade | 2020 |
|
Dr Adam Behr
| Asking for trouble: The political message behind Bridge Over Troubled Water | 2020 |
|
Dr Adam Behr
| Beethoven or Brexit? Battle for chart domination shows UK’s divided soul | 2020 |
|
Dr Adam Behr
| Bill Withers: soul music’s ‘everyman’ wrote songs for the world to lean on | 2020 |
|
Dr Adam Behr
| Facing the music: Brexit's chilling threat to the music industries | 2020 |
|
Dr Adam Behr
| Five ways musicians are responding to the coronavirus crisis | 2020 |
|
Dr Adam Behr
| Florian Schneider and Kraftwerk helped shape the sound of modern music | 2020 |
|
Dr Adam Behr
| Going spare? Concert tickets, touting and cultural value | 2020 |
|
Dr Adam Behr
| Little Richard’s scream kicked off rock'n'roll and still echoes today | 2020 |
|
Dr Adam Behr
Emma Webster
| Making Live Music Count: The UK Live Music Census | 2020 |
|
Dr Adam Behr
| Peter Green: troubled Fleetwood Mac founder leaves legacy of brilliance that shines still | 2020 |
|
Dr Adam Behr
| The State and the Arts: The long and difficult relationship between government and the arts | 2020 |
|
Dr Adam Behr
| The UK Live Music Census: the value of researching live music in Glasgow, Newcastle, Oxford and beyond | 2020 |
|
Dr Adam Behr
| Two of Us: inside John Lennon’s incredible songwriting partnership with Paul McCartney | 2020 |
|
Dr Adam Behr
| US election 2020: how the rival candidates have used music in their campaigns | 2020 |
|
Dr Adam Behr
| A tribute to Dave Laing | 2019 |
|
Dr Adam Behr
| Beatles: Abbey Road at 50 is a marker of how pop music grew up in the 1960s | 2019 |
|
Dr Adam Behr
| Birmingham Live Music and Brexit | 2019 |
|
Dr Adam Behr
| Dr John: music’s boogie-woogie voodoo man who defied convention but defined New Orleans | 2019 |
|
Dr Matthew Ord
Dr Adam Behr
| Facilitating Music Tourism for Scotland’s Creative Economy | 2019 |
|
Dr Adam Behr
| Glastonbury 2019: Stormzy and Attenborough a barometer for a generation’s urgent concerns | 2019 |
|
Dr Adam Behr
| Introduction to Special Issue on Pop Music Festivals and (Cultural) Policies | 2019 |
|
Dr Adam Behr
| Joni Mitchell: Unfettered and alive | 2019 |
|
Dr Adam Behr
| Sounding Off: music and musicians' interventions in the 2019 election campaign | 2019 |
|
Dr Adam Behr
| Copy rights: The Politics of Copying and Creativity | 2018 |
|
Dr Adam Behr
| Labour Live: why even Jeremy Corbyn struggles to sell a pop and politics mashup | 2018 |
|
Dr Adam Behr
| Music hasn’t had a defining #MeToo moment … yet | 2018 |
|
Dr Adam Behr
| Rolling Stones tour: they may be older but time waits for no one | 2018 |
|
Dr Adam Behr
| Street fighting sound: The album that got the stones rolling and rocking again | 2018 |
|
Dr Adam Behr
| The album at 70: a format in decline? | 2018 |
|
Dr Adam Behr
| The charts may be getting sadder but popular music has never been more varied | 2018 |
|
Dr Adam Behr
| The White Album: Soundtrack for the sixties turning sour | 2018 |
|
Dr Adam Behr
| Ticket touts have been around for centuries – but the tide could be turning against them | 2018 |
|
Dr Adam Behr
| Valuing live music: The UK Live Music Census 2017 report | 2018 |
|
Dr Adam Behr
| Boycotts by celebrities and musicians hit Trump where it hurts | 2017 |
|
Dr Adam Behr
| Chuck Berry: One of the only musicians with a genuine claim to be the founder of a genre | 2017 |
|
Dr Adam Behr
| Copying, copyright and originality: imitation, transformation and popular musicians | 2017 |
|
Dr Adam Behr
| Glen Campbell combined rural grit and urban sheen to straddle American music like a Rhinestone Cowboy | 2017 |
|
Dr Adam Behr
| How the Paradise Papers reveal the tension between rock stars and the tax man | 2017 |
|
Dr Adam Behr
| Humbug, tinsel and gravy: in search of the perfect Christmas pop song | 2017 |
|
Dr Adam Behr
| Is Glastonbury really running out of headliners? | 2017 |
|
Dr Adam Behr
| Magical Mystery Tour: a rare Beatles flop – but it paved the way for Monty Python | 2017 |
|
Dr Adam Behr
| Malcolm Young: AC/DC guitarist who helped define heavy rock’s guitar sound | 2017 |
|
Dr Adam Behr
| Scottish Celtic Music | 2017 |
|
Dr Adam Behr
| Sound Bites: The Music of Election 2017 | 2017 |
|
Dr Adam Behr
| The Sampling Continuum: musical aesthetics and ethics in the age of digital production | 2017 |
|
Dr Adam Behr
| The UK's rich musical heritage is threatened by a live music culture under pressure | 2017 |
|
Dr Adam Behr
| Tom Petty stood up for authentic rock music - and he never backed down | 2017 |
|
Dr Adam Behr
| What 70 years of the Edinburgh Festival has done for the arts - and the economy. | 2017 |
|
Dr Adam Behr
| Where the snowman meets the sunshine: The tensions between research, engagement and impact in cultural policy | 2017 |
|
Dr Adam Behr
| Reverberations: The Philosophy, Aesthetics and Politics of Noise. Edited by Michael Goddard, Benjamin Halligan and Paul Hegarty [and] Resonances: Noise and Contemporary Music. Edited by Michael Goddard, Benjamin Halligan and Nicola Spelman [Book review] | 2016 |
|
Dr Adam Behr
| George Michael and Rick Parfitt: two ends of a rich cultural mainstream | 2016 |
|
Dr Adam Behr
| Jo Cox charity single: there's no going back in the merging of pop and politics | 2016 |
|
Dr Adam Behr
| Live Concert Performance: An Ecological Approach | 2016 |
|
Dr Adam Behr
| Pop life: how Prince played the music industry | 2016 |
|
Dr Adam Behr
| The Beatles revolutionised music by putting the record centre-stage | 2016 |
|
Dr Adam Behr
| Trump slammed by musicians for appropriating music, but pop and politics have a long history | 2016 |
|
Dr Adam Behr
| What's the deal with exclusive streaming deals: Frank Ocean, Beyoncé and Universal's mooted ban | 2016 |
|
Dr Adam Behr
| Cultural Policy and the Creative Industries | 2015 |
|
Dr Adam Behr
| Edinburgh Live Music Census 2015: Pilot Study | 2015 |
|
Dr Adam Behr
| Establishing a Music Vitality Index for Scotland | 2015 |
|
Dr Adam Behr
| Fighting for the right to party: live music after the Paris attacks | 2015 |
|
Dr Adam Behr
| Join Together With the Band: Authenticating Collective Creativity in Bands and the Myth of Rock Authenticity Reappraised | 2015 |
|
Dr Adam Behr
| The Cultural Value of Live Music from the Pub to the Stadium: Getting Beyond the Numbers | 2015 |
|
Dr Adam Behr
| Cultural value and cultural policy: some evidence from the world of live music | 2014 |
|
Dr Adam Behr
| The place of popular music in Scotland's cultural policy | 2014 |
|
Dr Adam Behr
| Scotland on Tour: Strategies for Promoting the Scottish Music Industry Within and Outwith Scotland | 2013 |
|
