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Lookup NU author(s): Dr James Harriman-Smith
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Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
Author(s): Harriman-Smith J
Publication type: Authored Book
Publication status: Published
Number of Pages: 236+xii
Print publication date: 18/03/2021
Acceptance date: 17/09/2019
Publisher: Cambridge University Press
Place Published: Cambridge
Library holdings: Search Newcastle University Library for this item