Dr James Harriman-Smith
| Performing Restoration Shakespeare in the Eighteenth Century | 2023 |
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Dr James Harriman-Smith
| Zara's Enthusiastic Passions | 2022 |
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Dr James Harriman-Smith
| Criticism, Performance and the Passions in the Eighteenth Century: The Art of Transition | 2021 |
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Dr James Harriman-Smith
| Garrick’s Muse? Eva Maria Veigel and her Husband | 2021 |
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Dr James Harriman-Smith
| Imitate the Action of the Tiger: Charles Gildon, Aaron Hill, and Shakespeare’s King Henry V | 2021 |
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Dr James Harriman-Smith
| Garrick and Shakespeare in Europe | 2020 |
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Dr James Harriman-Smith
| The Dupes of Fancy | 2020 |
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Dr James Harriman-Smith
| What James Boswell tells us about 18th‐century acting theory | 2020 |
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Dr James Harriman-Smith
| Authority of the Actor in the Eighteenth-Century | 2018 |
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Dr James Harriman-Smith
| Garrick, dying | 2018 |
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Dr James Harriman-Smith
| Comédien–Actor–Paradoxe: The Anglo-French Sources of Diderot’s Paradoxe sur le comédien | 2015 |
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Dr James Harriman-Smith
| Representing the Poor: Charles Lamb and the Vagabondiana | 2015 |
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Dr James Harriman-Smith
| Une tragédie possible: Corinne, ou l'Italie et Roméo et Juliette | 2015 |
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Dr James Harriman-Smith
| The Anti-Performance Prejudice of Shakespeare's Eighteenth-Century Editors | 2014 |
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