Professor Magnus Williamson
| Confraternities and Music on the Eve of the Reformation: Early-Tudor Boston | 2025 |
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Professor Magnus Williamson
| Notes on the Petre Gradual | 2024 |
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Professor Magnus Williamson
| Performing Spaces: The Art of Polyphony Within and Beyond St Stephen’s Chapel | 2024 |
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Professor Magnus Williamson
| ‘Byrd’s Apprentice Works: *Sacris solemniis* Reconstructed and Rehabilitated’ | 2023 |
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Professor Magnus Williamson
| Location, location, location: organs, liturgy and spaces at Lincoln Cathedral before 1702 | 2023 |
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Professor Magnus Williamson
| The Eton Choirbook | 2023 |
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Professor Magnus Williamson
| Rethinking early music in a time of isolation | 2022 |
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Professor Magnus Williamson
| Sing Here: The Physical Traces of Sacred Song | 2021 |
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Professor Magnus Williamson
| Singing the Litany in Tudor England, 1544-1555 | 2020 |
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Professor Magnus Williamson
| Making Do? Musical Participation in an Early-Tudor College | 2019 |
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Professor Magnus Williamson
| Music and Reform in England, France and Scotland | 2019 |
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Professor Magnus Williamson
| Playing the organ, Tudor-style: some thoughts on improvisation, composition and memorisation | 2019 |
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Professor Magnus Williamson
| Revisiting the soundscape of the medieval parish | 2019 |
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Professor Magnus Williamson
| English Organ Music, 1350-1550: a study of sources and contexts | 2018 |
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Professor Magnus Williamson
| Musica ficta | 2018 |
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Dr Bennett Hogg
Professor Magnus Williamson
| Lost Voices | 2017 |
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Professor Magnus Williamson
| Parish music in late-medieval England: local, regional, national identities | 2017 |
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Professor Magnus Williamson
| Queen Mary’s Big Belly: Hope for an heir in Catholic England | 2017 |
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Professor Magnus Williamson
| Chorus vel organa: Music from the Lost Palace of Westminster [CD recording] | 2016 |
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Professor Magnus Williamson
| Quadring Cows: Resourcing Music in the Pre-Reformation Parish | 2016 |
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Professor Magnus Williamson
| Queen Mary I, Tallis’s O sacrum convivium and a Latin Litany | 2016 |
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Professor Magnus Williamson
| Picardy’s musical topography | 2015 |
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Professor Magnus Williamson
| Solo concert | 2015 |
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Professor Magnus Williamson
| The fate of the choirbook in Protestant Europe | 2015 |
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Professor Magnus Williamson
| Voices from the past: the delicate art of reconstructing Tudor partbooks | 2015 |
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Professor Magnus Williamson
| Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities, by Jonathan Willis (Farnham: Ashgate, 2010) | 2014 |
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Professor Magnus Williamson
| Incorporated Association of Organists Annual Congress: guest recital | 2014 |
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Professor Magnus Williamson
| Notre Dame: chant and polyphony for Lady Mass, Henry II to Henry III | 2014 |
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Professor Magnus Williamson
| Affordable splendour: editing, printing and marketing the Sarum Antiphoner (1519–20) | 2012 |
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Professor Magnus Williamson
| John Sheppard, III: Hymns, Psalms, Antiphons and other Latin Polyphony | 2012 |
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Professor Magnus Williamson
| The Eton Choirbook Project | 2012 |
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Professor Magnus Williamson
| Buxheimer Orgelbuch c. 1460, J. S. Bach Trio Sonatas, Scheidemann Magnificats | 2011 |
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Professor Magnus Williamson
| Double cantus firmus Compositions in the Eton Choirbook | 2010 |
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Professor Magnus Williamson
| The Eton Choirbook: Facsimile and Introductory Study | 2010 |
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Professor Magnus Williamson
| The Eton Choirbook: III: third, revised and expanded edition | 2010 |
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Professor Magnus Williamson
| The Will of John Boraston: Musicians within Collegiate and Parochial Communities | 2008 |
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Professor Magnus Williamson
| More Sweet to Hear: organs and voices of Tudor England | 2007 |
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Professor Magnus Williamson
| Liturgical Music in the Late Medieval Parish: Organs and Voices, Ways and Means | 2006 |
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Professor Magnus Williamson
| Early English Organs and early Anglican liturgical polyphony: some considerations of performance practice | 2005 |
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Professor Magnus Williamson
| Liturgical polyphony in the pre-reformation English parish church: A provisional list and commentary | 2005 |
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Professor Magnus Williamson
| Evangelicalism at Boston, Oxford, and Windsor under Henry VIII: John Foxe's narratives recontextualized' | 2004 |
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Professor Magnus Williamson
| Music Restor'd | 2001 |
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Professor Magnus Williamson
| The role of religious guilds in the cultivation of ritual polyphony in England: the case of Louth, 1450-1550 | 2001 |
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Professor Magnus Williamson
| Pictura et scriptura - The 'Eton Choirbook' in its iconographical context | 2000 |
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Professor Magnus Williamson
| 'Royal Image-making and Textual Interplay in Gilbert Banaster's O Maria et Elizabeth' | 2000 |
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