Richard Grayson
| Possessions_inc | 2019 |
|
Richard Grayson
| By Our Own Hand | 2018 |
|
Richard Grayson
| Conspiracy Week | 2017 |
|
Richard Grayson
| Drawing Biennale 2017 | 2017 |
|
Richard Grayson
| The Magic Mountain | 2017 |
|
Richard Grayson
| Nigel Greenwood Ltd. Running a picture Gallery | 2016 |
|
Richard Grayson
| Vordemberge-Gildewart Award | 2016 |
|
Richard Grayson
| An internet of things | 2015 |
|
Richard Grayson
| Cosmic Joke | 2015 |
|
Richard Grayson
| Speech Acts. | 2015 |
|
Richard Grayson
| Their Generation. Post Internet Art and its constructions | 2015 |
|
Richard Grayson
| If It Was A Going Concern | 2014 |
|
Richard Grayson
| Nothing Can Stop Us Now | 2014 |
|
Richard Grayson
| Worlds In Collision | 2014 |
|
Richard Grayson
| Worlds In Collision: 2014 Adelaide Festival, Adelaide International Art Exhibition | 2014 |
|
Richard Grayson
| Revolver | 2012 |
|
Richard Grayson
| Polytechnic. A curatorial project focusing on video, installation and tape/slide work made in the UK in the late seventies and early eighties. Staged at the Raven Row Gallery, London, it featured 12 artists: John Adams, Ian Bourn, Ian Breakwell, Marc Camille Chaimowicz, David Critchley, Catherine Elwes, Roberta Graham, Steve Hawley, Susan Hiller, Stuart Marshall, Cordelia Swann and Graham Young. | 2010 |
|
Richard Grayson
| The Magpie Index. The Magpie Index is a video installation made up of an assemblage of monologues by singer songwriter Roy Harper, where he narrates his history, and his development as a musician and as a leading figure of the sixties and seventies counter-culture in the UK. | 2010 |
|
Richard Grayson
| The Golden Space City of God. A video work developed at the International Residency Program at ArtPace San Antonio Texas and Matts Gallery London. The project received funding from ArtPace Residency Program, The Arts Council of Great Britain, The Art and Humanities Research Council, the Elephant Trust, The Henry Moore and Esmee Fairbairn Foundations. The Golden Space City of God investigates the cultural artifact as a carrier and shaper of group and social belief. The research developed a creative context to allow collaborations between artist, composer, choir, choir leader, director and sound designer, to be the central generative dynamic. | 2009 |
|
Richard Grayson
| A Secret Service: Art Compulsion Concealment, A curated exhibition with catalogue | 2006 |
|
Richard Grayson
| This Will Not Happen Without You The first curated exhibition from the archives of Locus + | 2006 |
|
Richard Grayson
| Ghost Houses | 2004 |
|
Richard Grayson
| Intelligence | 2004 |
|
