Professor Kirsten Gibson
Dr Rosemary Southey
| The Domestic Music Market and Musical Circulation in Two Late-Georgian Binders’ Volumes from the North-East of England | 2024 |
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Professor Kirsten Gibson
| 'For Musike is a Science So Delectable’: The Case for Musical Skill, Knowledge and Recreation in Early Modern England | 2023 |
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Professor Kirsten Gibson
| Society: Music, Musicians and the Renaissance Social Order | 2023 |
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Professor Kirsten Gibson
Dr Stephanie Carter
| Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s | 2020 |
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Dr Stephanie Carter
Professor Kirsten Gibson
Dr Roz Southey
| Music in North-East England, 1500-1800 | 2020 |
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Professor Kirsten Gibson
| Ross W. Duffin, Some Other Note: The Lost Songs of English Renaissance Comedy | 2020 |
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Professor Kirsten Gibson
| With Mornefull Musique: Funeral Elegies in Early Modern England. By K. Dawn Grapes | 2019 |
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Professor Kirsten Gibson
| Gender and Song in Early Modern England | 2017 |
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Dr Stephanie Carter
Professor Kirsten Gibson
| Printed Music in the Provinces: Musical Circulation in Seventeenth-Century England and the Case of Newcastle upon Tyne Bookseller William London | 2017 |
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Professor Kirsten Gibson
| Manuscript Inscriptions in Early English Printed Music. By David Greer | 2016 |
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Professor Kirsten Gibson
Professor Ian Biddle
| Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 | 2016 |
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Professor Kirsten Gibson
| Age, Masculinity and Music in Early Modern England | 2015 |
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Professor Kirsten Gibson
| Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century | 2013 |
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Professor Kirsten Gibson
| John Dowland and the Elizabethan courtier poets | 2013 |
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Professor Kirsten Gibson
Professor Ian Biddle
| Musicologies/Masculinities | 2013 |
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Professor Kirsten Gibson
| The order of the book: materiality, narrative and authorial voice in John Dowland's First Booke of Songes or Ayres | 2012 |
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Professor Ian Biddle
Professor Kirsten Gibson
| Masculinity and Western Musical Practice | 2009 |
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Professor Kirsten Gibson
| Music, Melancholy and Masculinity in Early Modern England | 2009 |
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Professor Kirsten Gibson
| How hard an enterprise it is’: Authorial self-fashioning in John Dowland's printed books | 2007 |
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Professor Kirsten Gibson
| 'So to the Wood Went I': Politicizing the Greenwood in Two Songs by John Dowland | 2007 |
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