Professor Ian Biddle
| Madrid’s great sonic transformation: Sound, noise, and the auditory commons of the city in the nineteenth century | 2019 |
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Professor Ian Biddle
| Romance cartographies: flamenco articulations of queer spaces in urban Andalusia | 2019 |
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Professor Ian Biddle
| Music, Sound, and Affect in Yiddish-language Holocaust Cinema: The Posttraumatic Community in Natan Gross’s Unzere kinder (1948) | 2018 |
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Professor Kirsten Gibson
Professor Ian Biddle
| Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 | 2016 |
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Professor Ian Biddle
Professor Beate Muller
| "and all of a sudden, in the middle of it, they began singing...": Languages and Commemoration in Arnold Schoenberg's Cantata A Survivor from Warsaw (Op. 46) | 2014 |
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Professor Kirsten Gibson
Professor Ian Biddle
| Musicologies/Masculinities | 2013 |
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Professor Ian Biddle
| Opera’s Unconscious, or What Men Don’t Say | 2013 |
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Professor Ian Biddle
Marie Thompson
| Sound, Music Affect: Theorizing Sonic Experience | 2013 |
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Professor Ian Biddle
| Music and Identity Politics | 2012 |
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Professor Ian Biddle
| Quiet Sounds and Intimate Listening: The Politics of Tiny Seductions | 2012 |
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Professor Ian Biddle
| Voicing gender: transgender performance and the national imaginary in the Spanish cinema of the democratic era | 2012 |
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Professor Ian Biddle
| Listening, consciousness, and the charm of the universal: what it feels like for a Lacanian | 2011 |
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Professor Ian Biddle
| Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud | 2011 |
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Professor Ian Biddle
| A promessa do Fado na pós-fonografia: entre a tradição e o desejo | 2009 |
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Professor Ian Biddle
| Caught in the Silken Throat: Modernist Investments in the Male Vocal Fetish | 2009 |
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