Professor Beate Muller
| 'Es war nicht richtig, daß Hitler die Juden ausstieß': Judenverfolgung im Spiegel Nürnberger Schüleraufsätze von 1946 | 2018 |
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Professor Beate Muller
| Framing the Family: Visual Material in Holocaust Diaries about, for, and by Children | 2018 |
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Professor Beate Muller
| A Teacher and His Students: Child Holocaust Testimonies from Early Postwar Polish Bytom | 2016 |
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Professor Beate Muller
| Cradle and Crucible of 'Vergangenheitsbewältigung': Representations of the War Child in the Occupation Period (1945-49). An Introduction | 2016 |
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Professor Beate Muller
| 'Der Mann, den ich vergötterte, hat uns ins Unglück geführt': The Post-war Crisis of Consciousness as Mirrored in Essays and Questionnaires by Nuremberg's Schoolchildren in 1946 | 2016 |
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Professor Beate Muller
| Historiographia be hakesher shel trauma: eduiyot shoah shel yeladim le-akhar ha-milkhama. [=The Historiography of Trauma: Early Post-War Child Holocaust Testimonies in Context. In Hebrew] | 2016 |
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Professor Beate Muller
| The War Child in the Occupation Period (1945-9) | 2016 |
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Professor Ian Biddle
Professor Beate Muller
| "and all of a sudden, in the middle of it, they began singing...": Languages and Commemoration in Arnold Schoenberg's Cantata A Survivor from Warsaw (Op. 46) | 2014 |
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Professor Beate Muller
| Translating Trauma: David Boder's 1946 Interviews with Holocaust Survivors | 2014 |
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Professor Beate Muller
| Kinder berichten über die Shoah: zeitgenössische Zeugnisse | 2013 |
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Professor Beate Muller
| The 1945 Bytom Notebook: Searching for the Lost Voices of Child Holocaust Survivors | 2013 |
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Professor Beate Muller
| Cultures of Discontent: Jurek Becker's 'Irreführung der Behörden' | 2012 |
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Professor Beate Muller
| Translation Studies Forum: Translation and Censorship | 2012 |
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Professor Beate Muller
| Trauma, Historiography and Polyphony: Adult Voices in the CJHC's Early Post-War Child Holocaust Testimonies | 2012 |
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Professor Beate Muller
| Agency, Ethics and Responsibility in Holocaust Fiction: Child Figures as Catalysts in Bruno Apitz's Nackt unter Wölfen (1958) and Edgar Hilsenrath's Nacht (1964) | 2011 |
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Professor Beate Muller
| Zensurforschung: Paradigmen, Konzepte, Theorien | 2010 |
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Professor Beate Muller
| Cenzura a kulturni regulace: mapovani terenu | 2009 |
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Professor Beate Muller
| La censura y la regulacion cultural: Cartografiando el territorio | 2009 |
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Professor Beate Muller
| Jurek Becker im Visier des MfS: Textsorten und Textwelten im OV 'Lügner' | 2007 |
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Professor Beate Muller
| Stasi - Zensur - Machtdiskurse : Publikationsgeschichten und Materialien zu Jurek Beckers Werk | 2006 |
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Professor Beate Muller
| 'Zeit der Nichtübereinstimmung': Censorship Discourses about and in Jurek Becker's Schlaflose Tage | 2005 |
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Professor Beate Muller
| Censorship & Cultural Regulation in the Modern Age | 2004 |
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Professor Beate Muller
| Censorship and Cultural Regulation: Mapping the Territory | 2004 |
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Professor Beate Muller
| Über Zensur: Wort, Öffentlichkeit und Macht. Eine Einführung | 2003 |
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Professor Beate Muller
| Zensur im modernen deutschen Kulturraum | 2003 |
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Professor Beate Muller
| Spannung durch Zensur: Zur Phänomenologie eines Motivs der Gegenwartsprosa in Ost und West | 2001 |
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Professor Beate Muller
| Die grausame Schrift: Zur Ästhetik der Zensur in Kafkas 'Strafkolonie' | 2000 |
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Professor Beate Muller
| Die Grausame Schrift: Zur Asthetik der Zensur in Kafkas 'Strafkolonie' (The cruel script: On the aesthetics of censorship in Kafka's 'Strafkolonie') | 2000 |
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Professor Beate Muller
| Die grausame Schrift: Zur Ästhetik der Zensur in Kafkas 'Strafkolonie' (The cruel Scripture: The Aesthetics of censorship in Kafka's "Penal Colony) | 2000 |
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Professor Beate Muller
| Sea Voyages into Time and Space: Postmodern Topographies in Umberto Eco's 'L'isola del giorno prima' and Christoph Ransmayr's 'Die Schrecken des Eises und der Finsternis' | 2000 |
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Professor Beate Muller
| Academia Pranca: Die Wissenschaftsparodie als Provokation der Wissenschaft? Zum Beispiel die Sokal-Affäre | 1999 |
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Professor Beate Muller
| Hamlet at the Dentist's: Parodies of Shakespeare | 1997 |
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Professor Beate Muller
| Parody: Dimensions and Perspectives | 1997 |
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Professor Beate Muller
| '...über den Sprachen ist die Sprache': Mythogene narrative Strukturen in Thomas Manns Roman 'Der Erwählte' | 1996 |
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Professor Beate Muller
| Komische Intertextualität: Die literarische Parodie | 1994 |
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Professor Beate Muller
| 'See how it's done?' Zur Funktionsweise von Lyrikparodien | 1994 |
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